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Each Piece is Unique

Black and White Jardiniere Raku 7"
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sold at Gallerie DeBautte
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Ready for the smoke!
RAKU is actually a firing process rather than a specific style or clay. It was developed in Japan in the 16th Century. There, the thick raku cups, showing tong marks, crackles, and glaze runs, are highly sought after for the tea ceremony.

The piece is first bisque fired to cone 06 (1830 F.) Then it is glazed with various high "flux" (easily flowing) glazes, often containing copper. When the glaze is dry the piece is again fired to 1600-1800 degrees. At this temperature it is pulled out of the hot kiln with a pair of tongs or Kevlar gloves, and placed into a flammable agent (sawdust, straw, leaves, paper, etc.) in a container to smoke in a "reduced" (oxygen starved) atmosphere. Sometimes it is plunged into water after reducing for a while. This is what creates the beautiful play of crackle patterns and colors on the surface.

The clay used must be quite porous, usually a stoneware containing up to 30% sand or "grog" (ground previously fired clay) in order to tolerate the shock of the firing process. The ware is usually made a bit thicker to increase its strength. Because raku ware is so porous, it is not food safe and should NOT be exposed to liquids for long periods. The glaze could eventually flake or discolor, or germs may grow in the crackles. A plastic liner should be used inside flower vases or jardinieres.

Cache Pots Raku to 6"
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sold at Morgan West Gallery New Orleans

Each piece I make is original and individual. I usually make my own non-lead glazes from raw materials (ground minerals) but occasionally use commercial ready-made glazes. I fire the pieces myself in my own kilns. I use an L&L electric kiln to bisque and for stoneware. I use an old Paragon electric to raku.  In the past I have used clay from the ground that I dug and sieved. I now purchase pugged clay from ceramic supply companies (my back thanks me) but sometimes I mix my own clays for sculpture. I participate directly in every step in the process of making the art object you see. I have made it with my own hands, mind and soul.

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Raku Vase 43 approx 13" tall
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collection Lane Mabray ReMax Houston

If the clay is left unglazed, the smoke will turn it black. After the pot is removed from the container, it is scrubbed to remove the soot. The remaining black areas are a permanent part of the clay now. I seal each piece with polyurethane so that the colors will not fade as they reoxidize over time. Sometimes my pieces need to interact with fluids. That is why I work with Stoneware as well as Raku, but the Raku is more fun.

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Happy Artist after a successful firing

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